Louis Finson
Flemish, C. 1580-1617
San Gennaro, C. 1610-1612
The piece of artwork that caught my eye in the Palmer Museum of Art was an oil on canvas painting titled San Gennaro, painted by Louis Finson. The painting is very large in size; about 3 feet wide and 4 feet tall and is surrounded by an old and golden frame. The painting is of the Patron Saint of Naples, San Gennaro. San Gennaro is wearing a white robe surrounded by a golden cloak. He is also wearing a large golden cloak and holding a large staff. In front of him is a table holding two bottles and a severed human head. The head is positioned sideways and looks pale and green. When you see the head, you look back up at the Saint and see his face in a different manner. He is holding his hands up and his face is showing a cold and menacing look. No matter where you are located in the room, the eyes of the Saint follow you. The background of the painting is a deep, dark black that makes the picture that more daunting and scary.
This piece of art was created around 1610 in either
Finson’s home in Belgium or in Italy, where San Gennaro is well known. Very little is known about San Gennarro and many
myths still float around about him. After
thorough research, there was no extreme religious tension or war going on in
Italy or with them around that time. The
severed head was most likely from a man who spoke out against the church or a
practicing scientist who went against the church. In the 16th and 17th
century, the church executed many different people for speaking out against
them. This painting send the message
that the church does not mess around and will not tolerate anything that hurts
or goes against their values. This
artwork shows that while the church believes in peace and non-sinful ways, they
will kill people. The artwork fits
perfectly into this age of the church because of the severed head and death
glare from the Saint.
To me, this piece is a very dark, scary and
mysterious work of art. When I first
looked at the painting I saw the menacing glare of the Saint and a severed head
that scared me. You look at this man and
you know that you should not cross him.
It is a very mysterious piece because it does not show much and you have
no idea why a Saint would be next to a severed head. This piece of artwork makes me feel like the
church is above its own rules. One of
their commandments is to not kill thy neighbor, but they have no problem doing
that. This piece of artwork is creepy,
dark and mysterious for its look and the meaning behind it.
This painting was created by Louis Finson in
1610. He was considered a successful artist
in his time, but is not an extremely famous one. He was often commissioned to do religious paintings
in Italy. The Flemish artist work and
studied art in Spain, Italy and France during his life. His most famous piece is titled Allegory of the Four Elements. He also painted many different pictures
of Jesus and famous stories from the bible.
Little is known about the life and eventual death of this man. The dates of his birth and death are not
perfectly accurate.
The claim this piece is making is about the power
of the church. It makes different claims
now than it did four hundred years ago.
When Finson first created this artwork it was meant to serve as a pro-church
piece of work. The message it sends is
that the church is all knowing and that no one should cross them. They are correct all the time and their
beliefs should be regarded as the church.
Another reason why this piece is showing the church in a good light is
because the artist was often commissioned by churches to make art for
them. The claim is very persuasive because
of the severed head and cold, scary demeanor of the Saint. A dead man means nothing to this leader and
he is not afraid to do what he has to do.
Going to the Palmer Museum of Art was my first trip
to a museum of any kind in a few years.
It was really enjoyable going back to a museum because you get to
experience art from many different centuries.
I really want to start to go back to museums and learn about history and
enrich my perspective. I would like to
also go to museums that preserve things other than art. It would be awesome to go back to Washington
D.C. and visit all the historic Museums that carry the artifacts of this
country. I am a history buff and would
love to see the artifacts that defined our country.
I didn't even see this piece there, but if I did I know it would have caught my eye too. Every year I go to the San Gennaro festival in NYC with my family (I missed it this year though because it was this weekend and I'm here) and it was really cool to read about the history of San Gennaro and who he was. That makes it more than just a big party with awesome food, now it actually has meaning behind it for me.
ReplyDeleteWhen I researching online about this piece I read a lot about the San Gennaro festival. It is really interesting to know that you have gone before. A lot the information on the festival said that is a huge party with a lot of food and people.
DeleteGood analysis of the meaning behind the severed head. I would agree with you that it was a sign that the church does not allow anyone to go against them. Also, that is interesting that the prior claim of this piece has now changed due to the shift in religion's role in society.
ReplyDeleteI thought it was really interesting that the piece's claim has changed over the last hundred years. It shows how the church has changed to be less strict and more open to other peoples view on the world.
DeleteThe history behind this painting is so interesting. I completely agree that this shows contrasting values between a severed head and the saint. The church is suppose to be a place of escape not something you should fear.
ReplyDelete